This limited edition A2-size Valentine was hand-lettered with brush and ink, scanned, and screen printed by hand in Toronto using metallic gold ink on pure white 100% cotton archival paper. Matching gold envelope included. Please contact me about wholesale or free delivery within Toronto. XO
I'm thrilled to share that my Alphabet-a-Day Project is online! All 250 alphabets are archived and fully searchable by pen type, case and style. Which is your favourite?
Check it out here:
I would agree with the general consensus was that 2016 was a challenging year for most people, myself included. I am so grateful for the support of friends, family and my community. As in previous years (2011, 2012, 2013, 2014, 2015), here is my annual recap of how my year unfolded.
In January, I started my most ambitious lettering project to date: Alphabet-a-day, where I set out to hand-letter one complete alphabet each weekday of 2016. I also had a small illustration of my favourite numeral published in UPPERCASE Magazine.
February was busy with client work, but I took time to release 4 free downloadable Valentine cards!
Among other client projects in March, I had fun doing a logo refresh for Pocket Concerts. I also taught a Ligatures brush pen workshop at Shopify, and spoke about vernacular typography at Humber College.
In April, I zipped over to Calgary to teach a brush lettering workshop at UPPERCASE Magazine. The magazine also released its new issue, featuring my interview with Penguin UK book designer, Coralie Bickford-Smith. Two exciting lettering projects were revealed: a hand-lettered wordmark for Jane 100 (celebrating the work of Toronto urban activist, Jane Jacobs), and custom lettering for Seattle-based music Erik Blood's new album, Lost is Slow Motion.
May was super busy with client work, and preparing the launch of my new 2016/2017 collection. And, I settled into my first studio space, and started doing small lettering videos.
In June, my collection was previewed at the first ever Pixel & Bristle design market, which I co-organized with colleagues Margot Trudell and Marta Ryczko. It was a blast!
July marked three fun lettering projects (coincidentally, all in Toronto's east end!): a massive custom chalkboard for Wonder Pens, custom lettering decals for BRIKA store, and a hand-painted sign for the new French restaurant, Greta Solomon's. Also this little blog turned 10 years old!
In August, I launched three new hand-lettered products in the Ligatures shop.
September was pretty epic! After months of preparation, I made my 2016/2017 collection live on my new online shop and Etsy store, including 16 prints, a clock and my perpetual Calendar, with its own fancy microsite. Thanks again to my talented developer, Chris Roberts, for his help!
Then, it was off to Calgary to teach another brush lettering workshop at UPPERCASE Magazine. And at the end of the month, quite unexpectedly, I was invited to join Candy Palamater on CBC Radio q to chat about the future of handwriting. You can listen to the interview here.
In October, UPPERCASE issue 31 was released which featured not one, but TWO, articles about design for the performing arts. The first was with Ireland film graphic designer, Annie Atkins. And the other was with Toronto-based theatre set & costume designer, Michael Gianfrancesco.
In November, I eagerly attended RGD DesignThinkers conference as the roving reporter for UPPERCASE Magazine. You can check out my recaps here and here.
As well, my It gets better / It gets worse paintings were featured in Swash & Serif group typography show, as well as the Buddies in Bad Times Art Attack auction, which raises money to support Canada's best LGBT theatre.
And then, just in time for the Pixel & Bristle holiday market at the Drake Hotel, I unveiled my 2016 limited edition holiday cards.
And then it was December! I co-instructed a Ligatures brush lettering at Klick Health, and then capped the year off with Toronto's best holiday market, City of Craft. It was so much fun - a great, celebratory culmination of the year.
This year wouldn't have been possible without the support of YOU – those who purchased a print from my shop, liked one of my Instagram photos, attended a workshop, or visited my booth at City of Craft. I am endlessly grateful to continue doing work that I love.
May 2017 bring you peace and happiness in this ever-changing world.
Back in December 2011, I launched the Toronto Etiquette Project, little reminder cards which aimed to help improve public behaviour in Toronto. This later evolved into the Urban Etiquette Project, which could be used in other cities, both English and French. The project garnered a lot of attention, with coverage in the Globe & Mail, Flare Magazine and the Toronto Star.
To commemorate the five year anniversary, and to keep the kindness flowing, I've created five new graphics to share on social media, using #etiquetteproject.
You can view the project's entire 5-year development here.
Have a safe and happy holiday!
Hope to see you this weekend at Toronto's favourite winter market, City of Craft.
December 9, 10 & 1, 2016
The Theatre Centre
1115 Queen Street West
(one block west of Queen and Dovercourt)
$2 (Kids 12 & Under FREE)
This 4-pack of festive, limited edition A2-size greeting cards were hand-lettered with brush and ink, scanned, and screen printed by hand in Toronto using water-based matte black and metallic gold ink on pure white 100% cotton archival paper. Matching gold envelopes included. Includes:
-Fa la la la la la la la la
-Pa rum pa pum pum
-Ring ting ting-a-ling
-Thumpety thump thump
Available for purchase here.
Local Projects - museum/exhibit design (Smithsonian, 9/11 Museum)
“The Future of Virtual is Physical”
“virtual reality” is now much more than just masks on our face
poetry of experience
“genius is 1% inspiration, 99% persiration (attributed to Edison)
talent = person who has done his/her homework
1) 9/11 Museum
stories projected on top of artefacts
a collection of memories (vs. just telling)
a container for stories
a communal space for NYC
“We Remember” gallery - global memories of the morning of 9/11/01
risk of allowing people to write their own messages - what would happen?
lesson: trust your visitors - they will rise to the occasion and lift everyone up with them
inverted pools with inscribed names - randomness of order + meaningful adjacencies
creating a “latticework of human meaning”
2) Cleveland Museum of Art
platform used for patrons own expression
visitor placed at the centre of expression
3) BioDesign Studio - DNA museum
can create competing organisms
people learn by doing
4) “Touch Me” exhibit - Times Square
-communal experience - combined heart beats
5) ARoS / Rainbow Horizon (Denmark)
museums should be
-“a friend you want to spend time with” - more social / a shared experience
interactive devices for kids to measure physics on the playground
playgrounds = physics machines
“technolgy that requires a friend”
extracting math and science out of experience
7) Let Go (Cooper-Hewitt Smithsonian)
interactive pen allows patrons to collection inspiration
pattern design - patrons able to export and buy via zazzle
“Design in Retrograde?”
industry is “under siege” from inside out
design must be stimulus for creative thinking, and must outlast critics
ie. initial criticism of Eiffel Tower faded over time
designs should be allowed to breathe (ie. Met rebrand, which was attacked immediately)
Brand New = Fox News of design world
need for better education - reading, writing, better dialogue
lobbying is dangerous if left unchecked (ie. petitions)
Quinnipac university - change.org and Fox News coverage
stop the retrograde
*create the change you want to see
“Dark Patterns & Business Models: “I Can’t Let You Do That, Dave.”
discussion of DMCA (Copyright act) and DRM (digital rights management)
lawsuits with HP, Sega, Skylink, Lexmark, Netflix, Sony BMG
we’ve entered uncharted territory with copyright, it’s legally terrifying
“software is eating the world”
huge implications for security landscape
cell phones = “pocket distraction rectangle”
DOSAs (Denial of service attack)
RATs (remote access trajan)
-all threatening security, stability of web
feudalism resurfacing - control from above
us vs. corporations choosing products for us
1) Devices should obey their owners (not the corporation)
2) Security facts are legal to disclose
need for organizations and structures (ie. you can’t recycle your way out of climate change)
-Apollo 1201 - org looking to eradicate DRM
the stakes are higher than ever
support organizations, have conversations
too much at stake not to FIGHT
“Creating a Personal Brand Mission
“I don’t have strong opinions”
considers herself a “value-based designer” - only works for companies that share the same values
-freelancing firm of best friends
outsider as a child, fascinated with TV / pop culture - “exaggerated versions of humans” - wanted to be that!
decided “I don’t want to be a boring adult”
was told she might be a “star person”
-native american tradition
-special beings sent from other planets to inject kindness and positive demeanour
-make the world HAPPIER
star people characteristics:
-lower than normal body temperature
-swollen / painful joints
“the world needs me!”
struggled in early career
-working for people who hated their jobs, hated their work
-constantly analyzing herself - trying to impress, act better/cooler
-started dancing, dance fitness classes (ie. jazzercise) - “danced my butt off”
EPIPHANY! “Why was I hiding?” + “What else have I been hiding”
began to analyze her flaws vs. her values
-way to honest about herself
-not interested in separating work and life
-want to make the world a happier place
-authenticity (ie. showing vulnerability)
asked herself “how can I adjust my career to reflect my flaws and values?”
decided to only work for happy companies
*work never feels like work
“the more I’m me, the more I succeed!”
craft your life and turn your flaws into superpowers!
as a child, interested in graffiti (ie. one word); as an adult, interested in art (ie. all other words)
interested in making art about life, accessible, personal
isolating basic human emotions into short phrases - playing with the misheard and the misread
“negotiation in life and love”
-talking in pictures, as most civilizations in the past
-destruction of existing language system? new language emerging?
current trend of “adult infantalism” in American art
- post 9/11, Americans don’t want to be confronted with complicated art
-looking for an escape
“the game is never over”
“get paid, and then do it again”
Ulysses pact - no plan B
fuck it up, then fix it up
*make better mistakes
“as long as I have ideas, I’ll never stop painting”
“you already have the best drugs in you”
“do no harm, bring some alarms”
“every song is a love song”
dedicates at least 5 minutes to painting each day
only takes on commissions if:
-he gets 100% creative control
-gets the money upfront
-gets as much time as he needs
“Make Eye Candy into Design History–A Story of Addition”
Previous work discussed:
NY Free Press
NY Review of Sex
The East Village Other
NYTimes Book Review
Paul Rand bio
Alvin Lustig bio
“the desire to get under the skin has never left me” - strong anti-establishment, counter culture approach
“happiness comes from doing what you love”
makes work from his hobby - “it’s all personal”
the solution is in the thing you’re given
embrace restrictions and small victories
never snap to guides
*put some of yourself int it!
Day 1 here.